
from cradle to tomb
It isn’t that long a stay.
Life is a cabaret, old chum,
It’s only a cabaret, old chum, and I love a cabaret!
Liza Minnelli as Sally Bowles, Cabaret
The original inspiration for Cabaret was Christopher Isherwood’s Berlin Stories. This wrenching book (#58 on TIME's 100 Best English Language Novels since 1923) was a result of Isherwood's stay in Berlin between 1929 and 1933 when the sophisticated city danced on the perilous edge of upcoming destruction.
A British native, Isherwood eked out a living as an English tutor and reveled in Berlin’s glamorous, scandalous night life, cultural creativity and sexual freedom, while mingling with firebrand Communists, wealthy Jews, homosexuals, and general bohemians before the catastrophic Nazi dictatorship swept over Germany and most of these colorful characters either fled or met their doom. Isherwood himself understood the signs of the encroaching times and headed off to sunny California not long after the Nazis acquired power and the concentration camp replaced the cabaret as a German national symbol.

Meanwhile, as Liza also notes in Cabaret „Money makes the world go around, that clinking clanking sound!“ and indeed, a little extra pocket change is generally a desirable thing. So from Cabarettian Berlin to Roulettian Petersburg, I decide to follow in Isherwood's employment footsteps and earn some extra roubles providing English lessons. My first student is a ten-year-old girl called Dearlise. Most Russians have predictable names: for women, it’s Olga, Masha, Natasha, Tanya, Sveta, or Ira. My friends roll their eyes when I mention my student's name – it’s so incredibly pretentious.

These are not the average Russian circumstances that I have come to accept as standard. I think of Uralian Natasha, who shares one narrow, cramped room in a communal apartment with her seventeen-year-old daughter. In the other rooms that seem not to have been renovated since WWII live two decrepit grandmothers that spend all day watching tv, and Azerbaijanean Nariman who hawks vegetables at a local market and cohabits with the blowzy Ukrainian waitress, Tanya. There is one kitchen and one bathroom between the six of them. It's considered a blessing that no one smokes or drinks much and there are no feisty alcoholic scenes at three in the morning as is often the case in those crowded communal flats.

So why is a girl possessing German and Ukrainian passports that was born in Germany to an Ukranian mother and an Italian father with houses and factories near Stuttgart, sitting here with me in a luxurious St. Petersburg apartment reading The Cat in the Hat? I’m sure there’s an explanation somewhere, though it may not be a good one.

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