The days February 1 through 13, 1918 do not exist
in Russian history. This oddity can be traced back to 1582 when Pope Gregory
XIII decreed that the Julian calendar in use since the time of Caesar should be replaced with a more accurate one, which required skipping over almost two weeks. Catholic countries made the change forthwith, Protestants
joined the program a century later, but the Russian Orthodox church was
not about to let a Catholic pope tell them how to calculate time and in Russia
the Julian calendar was used until after the Revolution when atheist Lenin decided to conform to
western standards. And so in 1918, the leap was made from January 31 to February 14 and the days between
remain blank and untouched. A further oddity in all of this calendar chaos is that the
revolution, which took place on 25 October 1917 in Russia, occurred according to the western calendar on 7
November, and thus, the iconic Great Socialist October Revolution, with the
endless parades in Moscow and elsewhere, was always celebrated in November.
Meanwhile, the Russian Orthodox Church still
persistently adheres to the Julian calendar, so 6 January is Russian
Christmas Eve, and at 9 p.m. Red Kirill gives me a call. Black Max is hosting a
small gathering at his apartment in an hour or two and we are both invited. Black
Max, is, so to say, the antithesis of Red Kirill. Kirill dashes about,
entangled in so many projects and ideas that he can barely focus his
high-voltage energy, dressed in red, the color of hope. Max, on the other hand,
sleeps. When he does manage to drag himself out of bed, he wears exclusively
black.
It seems that Max's parents, while not wealthy, nonetheless
have enough funds on hand to keep Max installed in his comfortable, renovated
apartment and to meet all of his rather modest needs, so he doesn't have to toil
in the hard world of capitalistic labor. He has no real interests, plans or
purpose, gets up around 4 in the afternoon, takes a look out the window, and
decides he would rather sleep some more. He lives, says Kirill, a life in
despair.
At least tonight he seems to be in a good mood as
he meets us at the Pioneerskaya Metro station and walks us back across ice and
snow to his apartment over Restaurant Tokyo. "Olya is still sleeping,
she only gallivanted in a little while ago," says Max, referring with a
sigh to his girlfriend, "Ach, she's young, which in itself isn't a disadvantage. She'll grow out of it."
The other guests arrive shortly thereafter:
Alyoscha and Katya, a brother and sister from Moscow, and Katya's
husband, Vitya, a native Petersburgian. These folks from Moscow are so surprisingly
wholesome, healthy, and red-cheeked, they seem to have skipped in from the
countryside and not the dissolute capital. It's as if they've been edited into
Max’s Dostoevskyan despair from a different movie, something along the lines of
a Russian „Oklahoma!“ Alyoscha quickly sets to preparing the main course and accoutrements
with the speed, skill, and fixation of a professional chef while the rest of us gather around the table, sipping, variously, champagne, amaretto, martini, vodka and
balsam.
In the meantime, Olya has woken up and staggers
into the kitchen with a hairdo of partial shave/partial dreadlocks and a pet rat
crawling around her shoulder. She seems like street cat who has long since
understood that you might find free food around the garbage can, but oh God, is
life there hard.
Spritely Katya greets her with „Merry Christmas!“
„Oh, dear! Well, then, happy holidays.“
Olya dismisses these bothersome formalities and quickly
gets to the main business at hand which is to open another botttle as Kirill
and Vitya start confirming that „Petrodegradation“ is in full swing – there is
no cultural life in Petersburg and there never will be as long as these
criminals are in power.
With a Russian Oklahoma flourish, Aloscha breaks into the Petrograd despair, and presents the main meal with a cheery grin. Merry Russian Christmas!
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